AAntique French Baroque Furniture Reproductions to export from Egypt at
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How did the French Furniture making
start in Egypt?
When
Napoleon arrived in Cairo during the French invasion of Egypt in 1798 introduced
influences that began a new cultural era. French designers who had
traveled with Napoleon left a legacy that is written all over the European
parts of Cairo. Their tastes were mainly of a French middle class
influence.
French designers tried to make Cairo look like
Paris. They worked with groups of Egyptian carpenters and assisted
them in manufacturing the furniture all with classic French themes .e.g
Classical Louis Period Tables,
Occasional Provincial Tables, Marble Top French Tables, French Poker
Tables,
Period French Secretaries, Classical Secretary Desk, French Arm
Chairs, Dinning French Table Chairs, French
Bergere and Gilded Cabriole
Leg Fauteils, 18th Century French Salon Sets, Decorative little French
Chairs,
French Desk Louis XV & Desk Louis XVI
Leather Top, French Desk Chair, Marquetry Inlaid & Hand
Painted,
French Credenzas, Inlaid French Drawers, French Commode ,
Chest Of Drawer Bombe, Luxury Louis French
Bahuts , Inlaid
Rosewood French Vitrines, French Curios Cabinet, Provincial Benches, French
Couches And
Seating, Classical Carved Ornate French Consoles,
Gilded Entrance French Mirrors and Consoles, Marble, Stands , Wooden Pedestals,
French Bronze Pedestal, French Marquise, Chaise Lounge , French Country Bar
Stool
Egyptian
Carpenters were excellent craftsmen to learn and were influenced by the
French designers especially in The Marquetry , which was
executed with extraordinary smoothness and finish; the mounts of gilded bronze,
which were the leading characteristic of most of the work of the century,
were finished with a minute delicacy of touch .Egyptian Carpenters also became
professionals in gilding French furniture in many colors rose, silvery green,
and gray blues and in strict symmetry and
ornamentation
Furniture making was and still a respected craft
in Egypt and skilled artisans are highly regarded, The Egyptian furniture
makers display some particularly advanced techniques in their craft,They are
skilled woodworkers and their ability with working precious metals and
especially
in French Furniture Reproductions shows skill which would be
difficult to match .
Baroque
Between the 17th and early 18th century,
Baroque style heavily influenced Western Europe. It originated in Italy and was
representative of the Roman Catholic Church. Pieces are characterized by large
twisted columns, broken pediments, and heavy moldings. The details are related
to the entire piece and flow throughout the entire work rather than simply
throughout one panel.
Chinese
Chinese furniture, ranging in time
from the mid-1300s to the mid-1600s, typically features fine, simple designs
made of choice hardwoods, beautifully finished, and unornamented except for
careful moldings and important hardware made of metals such as pewter, brass and
copper. Common characteristics are unique joinery, lacquered wood pieces and
inlays of mother of pearl, marble, ivory, and stones.
Colonial
A term referring to furniture
styles in use in colonies around the world during the great colonial period from
the 16th to 19th centuries. Colonial furniture is characterized by a strong
"mother country" influence balanced by the use of local materials and adapted to
local needs.
Contemporary
Based on the Modern style,
except this style uses classical concepts for decoration and detail. Often
furniture is made of rubber, metal, or concrete with long low
profiles.
Cottage
Mass-produced furniture popular in the mid-19th
century, originating in functional demands rather than in display. Usually
painted white, pale lilac or blue and often enhanced with fruit and floral
motifs or abstract curvilinear designs. Turned legs and split backs are common
characteristics.
Country
A casual style that gained popularity
in the 1980's and remains popular today, often featuring nature and nostalgic
motifs. The appearance of handcrafting is also important. "Distressing" is
commonly seen.
DeStijl
A 20th century style originating in the
Netherlands. As with other Dutch furniture of the period, DeStijl furniture is
characteristically simple and clean-lined.
Directoire
Named for the Directorate of France after
the French Revolution, Directoire style prevailed between 1793 and 1804. It is
characterized by Etruscan-appearing forms and motifs, including mythical and
stylized animal forms. Of note are mahogany dining tables of the period, which
were for the first time decorative enough in themselves to be displayed without
cloths.
Dutch
Early Flemish Baroque furniture, dating from the
17th century, was but a slight adaptation of the late Renaissance style. Typical
are oak cupboards with four doors and chairs with seats and backs of velvet or
leather held in place by nails. Most pieces are massive, solid unpretentious
pieces made of local woods with turnings. Dutch furniture of this period can be
distinguished by its simpler design and a preference for molded panels over
carved ornament. Later, marquetry and walnut-veneer surfaces became the most
common decorative treatments.
Early
American
This style flourished between 1608 and 1720 in
Virginia and New England. It included unpretentious wood furniture of simple
construction with little design detail and crude copies of Jacobean, Carolean,
and William and Mary. Most pieces echoed European styles.
Early
Renaissance
Between 1515 and 1547, the transitional period
between Gothic arts and the classical revival. Characterized by arch form,
ornament and detail in style and decoration, high relief carving with diamond
shapes and architectural pilasters, and ornamented with olive, laurel, and
acanthus leaves. Pieces usually featured no hardware.
Elizabethan
Popular during the reign of Elizabeth I of
England in the latter half of the 16th century, Elizabethan furniture is massive
and often heavily carved. The style regained popularity in the early 19th
century.
English
The period distinctions of English furniture
are somewhat indefinite owing to the variety of labels according to monarchs,
designers, typical woods, external influences, etc. Changes were happening so
rapidly that primarily the type of wood used distinguished the boundaries of the
English style. Classified by the separation of the ages of oak, walnut,
mahogany, and satinwood.
European
Sophisticated style with great attention to
detail and ornamentation.
Federal
This was the American’s reaction to the
Neo-classic style during the late 18th century. Federal is more geometric and is
lighter and more delicate than preceding styles. Details include fine inlay and
refined turnings. Chair backs are either square cornered or
curved.
Finnish
Finnish furniture designers used bent and
laminated (layers of solid wood) woods to create organic, humanistic forms and
lightweight open shapes. These designers were also the first to experiment with
tubular steel in furniture design.
French
Though this style ranged in time from about 1100
to 1500, until 1400 French furniture was indistinct from the Gothic style of
Northern Europe - ecclesiastical. The nomadic lifestyle established the need for
chests, coffers, and benches. Prominent pieces were those that served dual
purposes and were easy to travel with. Originally based on the Italian
Renaissance, the French furniture of the 16th Century was very detailed and
graceful with inlay marquetry of ivory, mother of pearl, and various colors of
wood.
Georgian
A period from about 1714 to 1790 that reflects
the British interpretation of Palladianism (early), the Rococo (mid) and
Neo-classicism (late).
Gothic
The style period between 12th and 16th century
is known as Gothic. This style derived from Roman architecture and was seen in
France by the middle of the 12th century. It is characterized by the use of
highly decorative panels and the use of indigenous woods. It was revived in
England around 1740 and known as “Gothick." North Americans began to make their
own versions in the mid 1800’s.
Hepplewhite
(See also Federal) George Hepplewhite,
author of the posthumously published The Cabinet-Maker and Upholsterer’s
Guide (1788), stated his goal as “to unite elegance and utility."
Hepplewhite style is conservative, retaining design elements from earlier
periods such as the cabriole leg, but tended to have a lighter appearance than
the Adam style, its contemporary.
Italian
Renaissance
Characteristics of this 15th century style include
simple outlines and details such as architectural profiles with classic
moldings, ornamentation of acanthus, Rinceau, and animal forms.
Jacobean
This style, popular between 1603 and 1649, is
the earliest work from the Americas. It is also referred to as Pilgrim
furniture. It is characterized by heavy turnings used as legs and spindles. At
times, turned legs are split in half and applied to panels for decoration. Oak
or pine is common and the ornamentation is sometimes painted.
Japanese
Japanese domestic usage required little
furniture. The chief requirement for the few forms that were developed was that
they be easily movable. Chests and cupboards were built in with sliding doors.
Usually finished with highly polished lacquer flecked with gold and decorated
with fine-scaled flower, animal, and landscape motives. Thin mats made of rice
straw called tatami covered the floors and were used for sitting. Cloth cushions
were also used, as were small tables of wood or lacquer, either folding or
rigid. Dressing tables and writing tables were specialized forms that evolved
from the simple table. The folding screen was an indispensable adjunct to the
other furnishings as it could be moved to change the entire aspect of the room.
Japanese furniture forms have changed little for centuries.
Late
Renaissance
Features 17th century Italian classic
ornamentations of columns, pilasters, and geometric shapes. Traces of Gothic
influences are present. The beauty of line and mass appear more important than
surface enrichment.
Louis
XV
The period from 1715 to 1774, also known as the Regence,
marked a shift from the weighty character of earlier rococo
styles to embrace a more light-hearted, somewhat simpler feel. Carvings and
marquetry were simplified and contributed more to the overall motif of the piece
than in the prior period.
Middle
Ages
Early Middle Ages: With the collapse of the Roman Empire
during the 4th-5th centuries, Europe sank into a period in which little
furniture, except the most basic, was used: chairs, stools, benches, and
primitive chests were the most common items. There is evidence that certain
ancient traditions of furniture making, particularly that of turnery, influenced
early medieval craftsmen. Turnery was used in making chairs, stools, and couches
in Byzantium, and it seems that this technique was known across Europe as far
north as Scandinavia. Later Middle Ages (14th and 15th centuries): Folding
chairs and stools, trestle tables with removable tops, and beds with collapsible
frameworks were usual. The religious houses were an exception to this in that
they enjoyed a certain security denied to the outside world. Much of the best
furniture of this period was therefore made for use in churches and monasteries,
and many of the ideas and developments that were later to add to the domestic
comfort of Europe originated in the cloister. Household furnishings were
frequently crude in design and roughly constructed. Other forms of carved
decoration on furniture became more common during the 15th century, when
surfaces were carved with tracery and other Gothic motifs. During the Middle
Ages a great many pieces of furniture, including those with carved decoration,
were painted and sometimes gilded, a practice that continued well into the
Renaissance. The chest was the basic type of medieval furniture, serving as
cupboard, trunk, seat, and, if necessary, as a simple form of table and
desk.
Middle
Renaissance
Ranging in time from 1550 to 1610, Middle
Renaissance furniture was characterized by broken pediments, colonnettes,
pilasters, flat strapwork, and cartouche ornamentation. Stars and diamonds were
used in bold relief.
Mission
The Mission style, from the early 20th century
but enjoying a resurgence today, is inspired by the mission furniture of the
Southwest that was made of rough-sawn lumber and pegs and dowels. It is a very
popular offshoot of the
Arts and Crafts period. The style is characterized
by simple, functional designs made of oak and stained wood with minimal
ornamentation. Leather and Native American designs are often the motif of the
coverings.
Modern
An early-to-mid 20th century style, Modernism,
one extreme of the Art Deco movement, was austerely functional in its purest
form. It drew on Machine Age sensibilities and minimized ornament in favor of
extreme simplicity of form following function.
Neoclassic
Neo-classicism, which is sometimes called
Louis XVI, lasted from 1750 through 1800. Travel into Greece, Italy, and the
Near East during this time produced archaeological discoveries, and publications
about these were spread through Europe. In response, designers of this period
looked to classical art for inspiration. Chair backs took on rectangular or
shield shapes, and slender, straight lines were the rule.
Neo-Gothic
Popular from the 1820s in Europe and from
the 1840s in North America, this style features such motifs as pinnacles,
crockets, and trefoils.
Queen
Anne
An American style created in the early 18th century. The
most relevant feature is the cabriole leg. The cabriole leg is a bowed, offset
leg that grows from the floor around the entire piece. Walnut is the favored
wood, but maple and cherry are also used. Mahogany began to achieve popularity
during this time.
Regal
Generically, a traditional furniture
style characterized by majestic forms. Many especially European furniture styles
are further characterized by the name of the specific monarch or monarchical
dynasty during the style's time period, such as William and Mary and
Tudor.
Regency/Empire
Essentially a continuation of the
neo-classical style with a stronger archaeological emphasis. Napoleon’s
campaigns in Egypt inspired the use of Egyptian ornament. Mahogany furniture
took on winged lion supports and pilasters headed with sphinxes’ busts or palm
leaves.
Rietveld
In the early 20th century, Rietveld style grew
from the Dutch Arts and Crafts movement with a strong Frank Lloyd Wright
influence. Machined forms and manmade materials figured in this style, which
sought to preserve the integrity of Arts and Crafts while embracing the modern
world.
Renaissance
This movement began in Italy in the 13th
century and continued through the 17th century. After it was introduced in
France it spread throughout northern Europe. It often features ornamentation
inspired by Italians Michelangelo and Raphael. The furniture is true to the
purpose of the piece and often incorporates mythological or biblical figures.
Walnut is often the wood of choice.
Republic
A variation of the Federal
style.
Retro
A
contemporary retrospective view, which reinterprets some of the best-loved looks
from the 1930s to 1980s. The mood of these pieces is playful and ironic. The
classics have extra emotional punch because you recognize such items as
exaggerated Hollywood sofas, 1950s boomerang tables or wacky '70s chairs from
late night films, TV sitcoms and old cartoons.
Rococo
A
French-influenced style that dominated the first half of the 18th century,
essentially a lightening of the baroque period. Rosewood and fruit woods replace
the darker woods used previously. The details of the furniture were more
delicate, curved forms with smaller units of ornament.
Romanesque
Early medieval furniture with crude Roman
influences. Characterized by arches and curves, simple geometric arrangements,
coarsely rendered animal and plant forms, and paint in decorative hues. Found
throughout Europe, the Romanesque style preceded Gothic and Renaissance
styles.
Russian
The Russian style is a blending of styles from
throughout Europe. The production of metal furniture can be considered a purely
"Russian" phenomenon since the production of metal furniture was not found
elsewhere in Europe at the time.
Rustic
18th century utilitarian objects that were
usually handmade of common materials. Decorations resembled natural growth of
trees, etc. The strength and character of southwestern and Colonial Mexican
design is included in this style, as are the hunting lodge looks of the
Adirondacks and the northwest.
Scandinavian
At the 1930 Stockholm Exhibition and the
1939 World's Fair in New York, the larger world was first exposed to the simple,
clean, and lightweight forms of Scandinavian furniture. Quality craft combined
with mass production where appropriate are hallmarks of the style. Bent plywood
is a commonly used material.
Shaker
The Shakers, who were a religious society with
colonies throughout the United States, produced furniture during the early
nineteenth century that is characterized by its economy and efficiency. They
produced works with the attitude that work is prayer, which resulted in highly
practical and functional designs that appeal to modern tastes. The plain
turnings of a classic, straight back, Shaker chair is indicative of the design’s
commitment to simplicity and function.
Sheraton
Thomas Sheraton gave his name to a stylistic
period from the late 18th to early 19th centuries. The Neo-classical movement is
heavily influenced by his The Cabinet Dictionary and The
Cabinet-Maker and Upholsterer's Drawing Book.
Southwestern
Contemporary style which is highly
influenced by Native American Indian traditions. Light-colored woods, light and
bright color palettes, rich patterns, and desert scenery characterize
furniture.
Spanish
Ranging in time from the mid-1200's
to 1600, furniture of this style is vigorous, masculine, and even barbarous.
Typical pieces were richly carved, painted, gilded, and inlaid with ivory in a
Moorish manner. They used metal supports and ornamentations, nail heads, and
chip or gouge carving techniques.
Stickley
Beginning in the very first year of the twentieth century, Gustav
Stickley made furniture that is prized almost a hundred years later for its
honesty, simplicity, and usefulness. As a designer and manufacturer who
emphasized careful workmanship, respect for natural materials, and simple lines,
Stickley had a profound impact on the look of American homes. Today, Arts and
Crafts design -- synonymous with Stickley to many people -- has become an
American passion.
Traditional
Traditionally styled furniture is available
in both original antique pieces and quality reproductions. This type of
furniture usually follows a particular period style such as Georgian, Tudor,
Regency, or Louis XV.
Tudor
The
Tudor period is generally accepted as the reign of Henry VIII through the reign
of Elizabeth I of England. Tudor furniture was typically massive, heavily
carved, and influenced by Italian Renaissance furniture. The foregoing Gothic
style contributed its straight lines to this period as well.
Victorian
Victorian refers to a time period rather than
a particular style. The Victorian period fell between 1837 through 1901. The
industrial revolution allowed for the mass production of furniture and styles
from earlier periods were drawn upon. Heavy ornamentation is a hallmark of the
Victorian period. The round ottoman, balloon back chair, and single end sofa
were all developed during this period. Victorian can be further subdivided into
Victorian-American and Victorian-English.
William and
Mary
An American style popular in the American colonies during
the late 1600’s. Walnut and maple became the material of choice and veneering
was introduced for highly figured, naturally decorative wood. Hinged lids were
placed on desk boxes on stands, and on chests of drawers, producing the
secretary we are familiar with today.
Windsor
The term Windsor refers to a chair style dating
from the 18th century. Use of local woods is characteristic of Windsor chairs,
which are available in regionally variant forms. Saddle-shaped seats and spindle
backs are common.
Other Design Styles
The American Colonial style features paneled walls,
Oriental rugs, damask fabrics and linear Chippendale furniture.
The Arts
and Crafts style is rectilinear and angular with stylized decorations
reminiscent of medieval and Islamic design.
The Art Deco style is
glamorous, modern and dramatic and is the streamlined look for the 1920s and
1930s.
The Baroque style is theatrical and extravagant. Decorative
elements are intended to electrify and flaunt wealth.
The Biedermeier
style is recognized by its distinctive veneered light-colored wood
furniture.
The Contemporary style honors current living and values. The
interiors are functional, airy and uncluttered.
Federal American style
encompasses neoclassical principles while placing an emphasis on symmetry and
balance.
The Georgian style revived classical
principles of proportion and symmetry. The look is sophisticated and
elegant.
The Medieval style is a study in contrasts with dark stone and
wooden walls relieved by vivid colors on walls and tapestries.
The
Mexican/Southwestern style favors bold colors while the Southwestern style
features the more subdued palette of the desert.
The Modern style
embraces plain walls, geometric-shaped accessories and modular glass and metal
furniture.
The Oriental style is typically understated, mystical and
calming with plain colors as a background and bold accents.
The Tudor
style introduced features for long-term comfort: the fireplace wall and ornate
furniture.
The Victorian style is exemplified by bulging furniture in
colorful interiors featuring lavish displays of
knickknacks.